If she has the voice of an angel, and the face of an angel, she must be an Angel. Angel Blue, that is. The American soprano, one of the most admired singers of her generation, is headlining the ...

Editor’s note: This is the first in a three-part series of reported commentaries on the future of opera. NEW YORK — It’s a big house. The Metropolitan Opera seats nearly 4,000 people up into its fifth ...

Performances in N.Y.C. Advertisement Supported by Michael Mayer is directing the Met’s first new production of Verdi’s classic in nearly four decades, aiming for something fresh yet enduring. By ...

Performances in N.Y.C. Advertisement Supported by Once used to frequent rejection letters, Blue has become a regular on major stages and is singing the title role in “Aida” at the Metropolitan Opera.

Late in the afternoon on Nov. 10, lights began to dim as a packed audience eagerly waited at the Emerson Colonial Theatre. The Boston Lyric Opera’s staging of the classic opera “Aida,” with music by ...

The Metropolitan Opera presents a performance of Verdi's Aida on January 25, 2025. This classic opera showcases a blend of love, betrayal, and war set against the backdrop of ancient Egypt. The ...

The small but remarkably fine Union Avenue Opera Company continues its thirtieth season with a production of Giuseppe Verdi’s Aïda (“in concert”). This opera was commissioned by the Khedive of Egypt ...

Giuseppe Verdi’s “Aida,” set in ancient Egypt, has a reputation for being the grandest of grand operas. How grand, you ask? Well, some productions feature a parade of live elephants. Historians debate ...

Take your vitamins, folks. There’s something going around. The first indicator was the audience Tuesday night at the Metropolitan Opera, which welcomed the new year with the premiere of Michael ...

Timothy Myers’ voice quivers when he remembers the first time he heard soprano Angela Brown. It was the Giuseppe Verdi opera A Masked Ball, and her performance that evening changed the course of his ...