Read a review and critical analysis of You Can See Everything by film critic Brian Eggert on Deep Focus Review.

Sorkin frames the attack as a direct result of Zuckerberg’s policy to favor “meaningful social interactions,” which one character defines as “outrage bait,” instead of the customary likes. The Social ...

Brian Eggert's essay about The Wicker Man provides an in-depth critical analysis, exploring its production, history, and ...

The Twin Cities Film Fest returns October 15-24 with more than 110 films, including awards-season contenders and projects by local filmmakers. TCFF, now in its seventeenth year, will also feature ...

• Polls to pick the movies reviewed on Deep Focus Review and Patreon Your contribution helps keep this site running independently. However you choose to support the site, please know that it’s ...

The 22nd Zurich Film Festival runs from September 24 to October 4. Check here for the full lineup. Some films mentioned below will be reviewed separately in full-length write-ups, but for now, here ...

Who Framed Roger Rabbit’s first sequence epitomizes the film’s seamless fusion of live-action and traditional hand-drawn animation, of noirish plotting and zany cartoon antics: The faces of Baby ...

Recently restored to glorious effect, The Mystery of the Wax Museum belongs to a rare breed of horror from the early 1930s that tested the boundaries of representation. During these early decades of ...

Christopher Nolan’s The Odyssey is an epic worthy of that name. Great artists from James Joyce to Stanley Kubrick have evoked Homer’s enduring poem, drawing on the text’s episodic storyline and ...

In The Big Country, Gregory Peck plays Jim McKay, a former sea captain who retires from his family’s shipping business to marry and settle down on the Western frontier. Unlike the generic gunslingers ...