The first indicator was the audience Tuesday night at the Metropolitan Opera, which welcomed the new year with the premiere of Michael Mayer’s new production of Giuseppe Verdi’s “Aida,” and greeted ...
The Met, which in the mid-twentieth century routinely presented entire seasons devoid of living composers, featured no fewer than five modern scores in 2024: John Adams’s “El Niño,” Terence ...
Angel Blue, that is. The American soprano, one of the most admired singers of her generation, is headlining the Metropolitan Opera’s first new production of Verdi’s “Aida” in 36 years.
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