Beginning June 6, American Contemporary Ballet debuts choreography that hasn’t been seen for over 100 years, by the greatest master of 19th century ballet. Variations on Raymonda features lost dances ...
The Boston Ballet premiered Mikko Nissenen’s reimagined one-act version of “Raymonda” as part of their Winter Experience this February. “Raymonda” stands alongside “The Sleeping Beauty” and “Swan Lake ...
Concerto/Enigma Variations/Raymonda Act III, Royal Ballet review - time to cheer the corps de ballet
Kenneth MacMillan’s response to Shostakovich’s sunny Second Piano Concerto makes a brilliant start to the first mixed bill of the new Royal Ballet season, a bill that unites three productions first ...
The Royal Ballet’s latest triple bill ought to have launched with a rip-roaring flourish. Mining a particularly rich period in the Royal Ballet’s history, it intelligently places Ashton’s masterpiece ...
For San Francisco Ballet Artistic Director Tamara Rojo, choosing a frequently performed warhorse such as “Swan Lake” as the first work she would choreograph for the company was never in the cards.
Stanton Welch’s new “Raymonda” is a Fabergé egg of a ballet, gob-smackingly sparkly yet refined, with three hours of non-stop classical dancing as brilliant as the sets, costumes, lighting and music.
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