A few years ago, I stayed in Ewa Poniatowska's bedroom in Stoke Newington. If London is like a polluted river, this room felt ...

In Shirana Shahbazi's show, "All at Once. An Interplay with Li Tavor" (2026) at the Kunstmuseum Luzern, her 16mm film An ...

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“Oracles Beyond the Sea” is the final exhibition of the year-long residency of the fellows at Villa Medici. Curated by Marea Art Project, the exhibition brings together practices and research spanning ...

IN THIS ISSUE → Cover Story Everything it is it has. Thea Djordjadze by Ela Bittencourt, photographed by Osma Harvilahti. Cover Story Can't Get You Out of My Head. Thomas Ruff in Conversation ...

REVIEWS→ Whitney Biennial 2026, Whitney Museum of American Art, New York by Nina Chkareuli “Body Fragment” The Power Station, Dallas by Lucia Arbery Simek. Tracey Emin “A Second Life” Tate Modern, ...

COVERS Roni Horn photographed by Jeff Henrikson in her studio, New York, February 2026. Courtesy of the artist and Flash Art. “Fuck Transparency” and the city of Los Angeles photographed by Jack Bool.

IN THIS ISSUE → Letter from the Editor Cover Story Shell Game. Luc Tuymans in Conversation with Daniel Merritt, photographed by Juergen Teller. Cover Story LIKE A DUET. Anne Imhof in Conversatio ...

The questions of literary modernism have always been deeply entwined with those of psychoanalysis: both are concerned with the dissolution of narrative. But where do these twentieth-century forms ...

On the occasion of Jonathan Okoronkwo’s recent solo exhibition at Emalin, London, “Ask Not What We Were Made For” (2025), curator and architect Lennart Wolff met with the artist to discuss the ...

A return and reformulation of universality is necessary in a contemporary context defined by a breaking down of moral, political, or aesthetic standards. This is our age of anomie. Uncertainty and ...