The exhibition Marcel Duchamp and this volume are co-organized by two museums with which Duchamp had enduring relationships: The Museum of Modern Art and the Philadelphia Museum of Art. 3 His ...
The Photoplay collection came in in the 1960s, but the Dell collection came in more recently. I was working at MoMA as an assistant to Mary Corliss when we sorted the Dell collection. We went to a ...
A relentless explorer, April Greiman has been pushing the boundaries between design, art, and technology for over four decades. Her layered work merges analog and digital, handmade and mechanically ...
I’ve been thinking a lot about polka dots lately. Whenever I walk down the hot, busy streets of New York or bathe in the subway’s air conditioning, I notice more people wearing the mesmerizing pattern ...
Join Lola Flash and five friends as they reminisce about art and community when the AIDS epidemic tore through NYC in the 1980s and ’90s.
Hear from artists, writers, and therapists about what happens when art and grief collide.
Guarded Optimism/Peaking Early (7:00 p.m.–midnight) Our special 24-hour screening didn’t start until 7:00 p.m. (I went in 15 minutes early), so I’ve already been up for nine hours. In researching ...
On the occasion of the exhibition Vital Signs: Artists and the Body, we spoke with art historian Cyle Metzger about Forrest Bess, an artist central to Metzger’s work on the trans history of art in the ...
You raise such a crucial aspect of her adventure, especially in this moment when the self—the self as brand, the artist as lifestyle influencer—reigns supreme. By doing the work of others, Sturtevant ...
In France, the Royal Academy of Painting and Sculpture, founded in 1648 under the aegis of Louis XIV, began organizing an annual exhibition in 1667. Because the recurring location for this event was ...
These two images appear to encapsulate the types of elemental motifs to which Van Gogh was often drawn: a simple repast indoors, lit by a single, relatively primitive lighting source; and a landscape ...
The artist talks about Claude Monet, the muscle memory of painting, and why he’s packing a tube of orange paint for his summer in Maine.
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